This continued into the following week and the next. In the following week I was unable to speak properly or even attempt vocals. Sadly this is where the problems started. ![]() The bands were amazing, the vibe was right and the night was epic. We started with one of the best shows I’ve ever been a part of – Psycroptic at the Arthouse (just prior to its shutdown). ![]() This all happened in 2010, a good good year.Ģ011 was equally as awesome for TSA. This only strengthened our intentions to bring you an experience that we thought would be solely us. So the months rolled on and we recorded a debut EP that was probably more successful than any of us could have thought. These individuals helped create TSA as we know it. Over the course of that year we recruited Zimi (a long time friend and band mate of mine) to duties on bass and then rounded out guitars with Damo. We wanted the TSA experience to be an honest and compelling one. We aren’t tough so we wouldn’t portray ourselves as that and so on. From the start we openly spoke of our intentions to not compromise musically, aesthetically or personally. Two years ago – two amazing fuckin’ years – I started working with Shayne and Nelson to create the musical entity that is The Schoenberg Automaton (TSA). The problem with something you love is that it’s a hard hard thing to let go of. For anyone who knows me I have been playing music and singing for the past 15 years vocally I’ve tried everything from Musicals to choirs, choral to opera and in my later life (around 20 of age) I thought… why not metal, I mean I love it.
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